This article’s plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. October Learn how and when to remove this template message Seventeen-year-old identical twin sisters Jane Ashley Olsen and Roxy Ryan Mary-Kate Olsen are completely different and never see eye to eye. Over a hour period, the two begrudgingly journey together into the city for Jane, an uptight overachiever, to deliver a speech to qualify for a prestigious college scholarship abroad, and for Roxy, a laid-back punk-rock rebel, to get backstage at a music video shoot so that she can give her demo tape to the group. Jane and Roxy board the train into New York but are soon thrown off together after Roxy is found without a ticket. At the station, Jane bumps into Jim Riley Smith , and they flirt back and forth before he gets on the train. Meanwhile, Roxy becomes unknowingly involved in a shady black-market transaction after an illegal chip device is mistakenly planted in her bag. Bennie Bang Andy Richter , the man behind the plan, offers Roxy a ride in a swanky limousine and she accepts, dragging Jane along who is reluctant about getting into cars with strangers. He locks them inside but they escape through the sun roof and he chases them into the city subway where they help one another to fight him off.
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Reviewed by Lauren Kane Rating: Poised between child stardom and adult celebrity, ‘tween queens Mary-Kate and Ashley Olsen celebrate their coming of age with their first feature. Nerdy Jane is on her way to Columbia University to compete in a public-speaking contest, while delinquent Roxy is heading to the Big Apple for a concert by pop-punk band Simple Plan.
Roxy blew off school in hopes of getting her own group discovered at the concert and video shoot, but dedicated truant officer Max Lomax Eugene Levy is hot on her trail.
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The synopsis below may give away important plot points. Synopsis year-old twin sisters Jane Ashley Olsen and Roxy Ryan Mary-Kate Olsen are completely different and never see eye to eye, and live with their father in a suburban Long Island neighborhood. Over a hour period, the two begrudgingly journey together into the city for Jane, an uptight overachiever, to deliver a speech to qualify for a prestigious college scholarship abroad, and for Roxy, a laid-back punk-rock rebel, to get backstage at a music video shoot so that she can give her demo tape to the group.
Jane and Roxy board the train into New York but are soon thrown off together after Roxy is found without a ticket. At the station, Jane bumps into Jim Riley Smith , and they flirt back and forth before he gets on the train. Meanwhile, Roxy becomes unknowingly involved in a shady black-market transaction after an illegal chip device is mistakenly planted in her bag. Bennie Bang Andy Richter , the man behind the plan, offers Roxy a ride in a swanky limousine and she accepts, dragging Jane along who is reluctant about getting into cars with strangers.
He locks them inside but they escape through the sun roof and he chases them into the city subway where they help one another to fight him off.
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May 13, Lisa Bentley rated it liked it It is strange that New York along with a few other cities has been romanticised by the media. Movies, songs and books all sell it as the most romantic city in the world. Thirty-something Amy has wangled a job transfer for one year to the most exciting city in the world and she is determined to make that year count.
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Jane Ryan played by Ashley Olsen simply wants to get to the right place at the right time in order to give a speech, hoping that it will win her a scholarship to Oxford University—far, far away from her twin sister Roxy played by Mary-Kate Olsen , who just wants to have as much fun as possible, and skip school as much as possible.
This particular morning they head out together as Roxy has once again managed to get out of school, and their adventure begins. Separate from this, local music and video pirates use Roxy as an unwitting accomplice to protect a computer chip containing enough MP3s for them to make millions of dollars. When they fail to get the chip back from her through Benny Bang Andy Richter , he is also determined to catch them at any cost.
The web of mischief gets more and more tangled as time goes on, until finally something big becomes necessary for everything to become untangled. Morally this movie has some issues that need to be contemplated.
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Celebrities since their diaper days on Full House, the Olsens have over a dozen direct-to-video titles in their money-making repertoire but have yet to foist a feature-length film on to the multiplex masses. Tailored specifically for packs of prepubescent girls, New York Minute will be eye candy for some and brain candy for all. It casts the camera-friendly siblings in a frothy Ferris Bueller-inspired day in the life of twin sisters spinning in opposite circles.
Prim and proper Jane Ryan Ashley preps to give a speech at Columbia University that could earn her an Oxford scholarship.
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The Olsen Twins’ Doll Revolution: It’s a much better movie than critics say. Mary-Kate Olsen has a special comic energy, and Ashley Olsen can be hilarious, both as a physical comedian and in the ways she delivers her lines. The supporting cast were almost all terrific:
They shouldn’t be, because early reviews for Spider-Man: Homecoming are by and large glowing. Homecoming is in theaters Friday. Here’s what critics think of Jon Watts’ movie: The last two Spidey epics had ‘Amazing’ in the title, but let’s face it—both films stirred more apathy than amazement. The only suspense came in wondering how long and hard a franchise could be milked.
It may be a problem winning back the comic-book fans, but after that extended cameo in Captain America: Civil War and this new solo outing, you finally feel that your friendly neighborhood web-slinger deserves to be a part of the Marvel Cinematic Universe. Homecoming “is as high school as a John Hughes comedy—think The Breakfast Club or Ferris Bueller’s Day Off—in which teens talk like teens instead of old-school Hollywood cynics aching to sound young.
And in a city “where the average citizen seems to accept Avengers as a fact of daily life as common as a rat on the subway or a Starbucks on the corner, Homecoming’s Parker is still consistently, winningly wowed by his own capabilities; he can’t stop saying ‘Gross’ or ‘Awesome’ at the things that shoot out of his body which, to be fair, is also just basic adolescence. But he can seem ordinary to the point of confounding the storyline, too—less a supercharged arachnid than an adorable puppy with special powers, or the YA dreamboat on an exceptionally well-cast Nickelodeon wizard show.
Even the post-closing credits tag scene is whip-smart. If he can just impress his mentor, he reasons, he can join the Avengers full time and gain instant-fame,” she writes. Intentionally or not, Spider-Man: